“This was my first real step into this genre, and just loved making this film,” she said. We'll find that in every single culture on Earth - that pressure on women about continuing the line and having that instinct fundamental to their natures that if they don't have it, they must lie about it, and can't admit it.”īeyond the deeply personal connections to the film, Clock also happens to be Agron’s first lead role in a movie, something that was always on her mind during the shoot. That kind of pressure transcends Judaism or any culture. 'And it's unusual to have a Holocaust survivor and have this female who’s got a monstrous figure that kind of haunts her, representing all her guilt about the people that survived before her. “I wanted that scene to come out of a really human place for a character who’s not a monster,' continued Rubinek. And then the scene later, he does feel some guilt and regret about having reacted that way. He thinks, ‘For what reason are you not going to continue our family’s line? It all ends with you.’ And his rage comes out unexpectedly. “I was tearing up all these family photographs, because in a moment of childish rage, Joseph has feeling about all the ancestors who have come before, including the Holocaust survivors. “Alexis created a real, honest portrayal of a woman going through this guilt, shame, and ultimately, horror.” He went on to note a very “profound” scene he had in the film that truly surprised him: “I thought the film was very brave,” shared Rubinek. Related: Best Horror Movies of All Time, According to the American Film Institute That unwelcome guilt-trip has been going on for years, and it doesn’t help Ella now that she’s questioning everything about herself. Joseph’s health is declining and at their weekly family Shabbat, he pressures an already tormented Ella to keep the ancestral line going before he passes. Saul Rubinek, who turned heads in Prime Video's stellar Nazi-hunter series, Hunters, plays Joseph, Ella’s outspoken widower dad, and the child of Holocaust survivors. That was an interesting take on it, I think, and one of the reasons I wanted to be part of this.”Īll the performances shine in Clock. She’s decided, ‘Oh, I'm going to fix that.

There’s such a thing as needing to be fixed or being broken because you don't want a child. She thinks she's doing something good for women, but I think she's lost sight of what these women really are like. “The character is a really brilliant character,” said Hardin, “but she has her own ambitions to create this very cutting-edge technique. After braving baby shares and stares from disgruntled moms, Ella ponders if there is something seriously wrong with her for not wanting a child. Simmons is Ella’s last hope in the story. It was a voice I've never really heard before, especially coming from a woman.”ĭr. “I was very taken with just how conversational it felt - quite feminist, you know, childbirth and having children. Simmons, and see where they go, and what happens,” shared Hardin. “I really responded to the fresh voice Alexis had when she made her short film and I was excited to be a part of the expanded journey of Ella and Dr. I also received this wonderful lookbook that Alexis put together, so I understood what the textures and colors and feelings would be.” And Alexis and I had a beautiful conversation about what this would be in the landscape. When I read the script, I felt a sense of relief that it existed. “And I've experienced many people who have opinions about that. “Similarly, I'm in my later 30s, and I have chosen to not have kids up until this point,” added Agron. It was a bit of torture, I would say, but what better place to write from?” “I struggled for many years making the decision about whether to have children,” admitted Jacknow, “and it was really the thing that kept me up at night. For Agron and Jacknow, bringing Clock to life was a deeply personal experience.

But Jacknow had already turned heads when her original short film aired on Hulu in its Huluween lineup several years ago. Clock made its world premiere at the 2023 Overlook Film Festival in New Orleans to much fanfare.

Who made the clock